Outline, Tactile pictures, and Shape-from-Shadow Pictures
Juan Bai
University of Toronto
Tactile pictures often use outlines to depict occluding boundaries, convex
corners, or concave corners of common objects, such as a cup, a fork, or a
table. A tactile picture, also known as a raised-line drawing, is the result of
using a ballpoint pen to draw on a plastic sheet covering a rubber board. Where
the pen presses down, raised lines appear on the sheet, and human hand can feel
them. D’Angiulli, Kennedy, and Heller’s (1998) studies found blind children and
blindfolded sighted children could identify objects in tactile pictures. The
children explored around each picture with both hands for a couple of minutes,
then gave a suggestion of what they think was in the picture. When they had made
a wrong identification, they could often correct themselves when trying to
identify the same picture again, without any feedback. This may imply that they
might judge how well a suggestion fits the picture to decide whether they stay
with this suggestion. Fit is the degree of correspondence between the shape in
the picture and the suggested object. Studies with blindfolded adults confirmed
that higher fit judgments are related to repetition of the identifications. Some
researchers say picture is not suitable for touch. I argue that since human
hands can feel occluding boundaries or corners of real objects, they may also be
able to appreciate the shapes the outlines represent in tactile pictures. On the
other hand, outlines do not succeed in showing shapes from shadows. When we use
outlines to trace the borders between the light non-shadow parts and the dark
shadow parts, and reduce the luminance of the dark parts to the same luminance
as the light parts, vision fails to see the objects. The reason may be that
shape-from-shadow pictures use luminance differences to represent objects in
shadows, but outlines do not carry luminance information. In most cases, touch
can not tell luminance differences, either, on paper or in the real world.
Therefore, in touch as well as in vision, outline can depict occluding
boundaries and convex or concave corners, but not shapes from shadows.